The Ir(rational) in the Locomotion of Filmography, Theatre, Music Scene and Pop Culture as the Creation of the “New Croatian Cultural Memory”

  • Igor Gajin The Academy of Arts, Osijek

Abstract

By dealing with the examples of Croatian (pop) culture production, the paper analyzes different strategies of cultural production in relation to the previously existing cultural memory matrix (anti- fascist, fascist, Yugoslavian, nationalist...). Do such practices indeed result in the moral of the film Total Recall?

References

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[2] P. Connerton, Kako se društva sjećaju, Ed. Zagreb, Croatia: Antibarbarus, 2004.

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[4] D. Lukić, Drama ratne traume, Ed. Zagreb, Croatia: Meandar, 2009.

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[7] P. Jurčević: “Dok je srca, bit će i Croatije!” (2013) Blog. (Online) Available: http://hr-hb.blogspot.com/2013/07/m-p-thompson-kao-moderni-matos-ili-simic.html

[8] M. P. Thompson: “Hrvatska nije utemeljena na antifašizmu” (2007) Monitor website. [Online]. Available: http://www.monitor.hr/vijesti/thompson-hrvatska-nije-utemeljena-na-antifasizmu/81658/
Published
2015-09-01
How to Cite
GAJIN, Igor. The Ir(rational) in the Locomotion of Filmography, Theatre, Music Scene and Pop Culture as the Creation of the “New Croatian Cultural Memoryâ€. Култура/Culture, [S.l.], n. 10, p. 104-113, sep. 2015. ISSN 1857-7725. Available at: <https://www.journals.cultcenter.net/index.php/culture/article/view/155>. Date accessed: 29 mar. 2026.

Keywords

memory, obscurity, ideology, former Yugoslavia, war