Zones of Intensity Invested with Desire
Abstract
This paper explores the meaning-making potential of cultural sites of historical importance within the current framework of human communication that now seamlessly intertwines digital, electronic and organic forms of contact. The paper argues that the computer-guided communication prevalent now favours the systematic and programmed and that has repercussions in terms of our sense of identity as organic beings living in a physical world. A response is to reinforce a sense of place via direct experience in cultural sites that are invested with a strong sense of place, referred to as “zones of intensity invested with desire†(this term was coined by Russell West-Pavlov and referenced by Darko Radovic to address the visual bias of urban planning). The argument follows that there needs to be a conscious reconnection with all the senses, overcoming the current visual bias encouraged by communication via the printed word. Art as alternative modality of relations has a strong role to play to reconnect us to the meaning-making elements in physical sites and reinforce the sense of place so crucial in our existence as organic beings.References
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[12] Ibid.
[13] Ibid.
[14] Ibid.
[15] Ibid.
[16] D. J. Boorstin, The Image: A Guide to Pseudo-Events in America. New York, U.S.A.: Atheneum, 2014. Page 11.
[17] Ibid.
[18] Ibid. Page 260.
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[29] Ibid. Page 20.
[30] Ibid. Page 60.
[31] Ibid. Page 3.
[2] J. C. Morrison Jr. (2014) Marshall McLuhan: No Prophet without Honor, Chapter 2. [Online]. Available: http://www.mit.edu/ ~saleem/ivory/ch2.htm
[3] (2014) Webopedia. Entry on fragmentation. [Online]. Available: http://www.webopedia.com/TERM/F/fragmentation.html
[4] (2014) Psychology Dictionary. Entry on fragmentation. [Online]. Available: http://psychologydictionary.org/ fragmentation/
[5] (2014) S. Turkle. Statement on Life on the Screen. [Online]. Available: http://web.mit.edu/sturkle/www/Life-on-the-Screen.html
[6] (2014) M. Biagioli. We Are You. [Online]. Available: http://www.monicabiagioli.com/index.php?option=com_content&view=article&id=18:we-are-you&catid=10&Itemid=5
[7] (2014) R. Kostelanetz. Understanding McLuhan (In Part). New York Times. January 29, 1967. [Online]. Available: http://www.nytimes.com/books/97/11/02/home/mcluhan-magazine.html
[8] (2014) R. Booth. Facebook Reveals News Feed Experiment to Control Emotions. The Guardian. 30 June 2014. [Online]. Available: http://www.theguardian.com/technology/2014/ jun/29/facebook-users-emotions-news-feeds
[9] (2014) Statista. [Online]. Available: http://www.statista.com/ statistics/264810/number-of-monthly-active-facebook-users-worldwide/
[10] (2014) R. Kostelanetz. Understanding McLuhan (In Part). New York Times. January 29, 1967. [Online]. Available: http://www.nytimes.com/books/97/11/02/home/mcluhan-magazine.html
[11] (2014) D. de Kerckhove and C. Miranda de Almeida. The Point of Being. [Online]. Available: http://www.cambridgescholars. com/ the-point-of-being
[12] Ibid.
[13] Ibid.
[14] Ibid.
[15] Ibid.
[16] D. J. Boorstin, The Image: A Guide to Pseudo-Events in America. New York, U.S.A.: Atheneum, 2014. Page 11.
[17] Ibid.
[18] Ibid. Page 260.
[19] (2014) D. de Kerckhove and C. Miranda de Almeida. The Point of Being. [Online]. Available: http://www.cambridgescholars. com/ the-point-of-being
[20] A. Giddens, Runaway World: How Globalisation is Reshaping Our Lives. London, England: Profile, 2002. Referenced in MOORE, Niamh. Valorizing Urban Heritage? Redevelopment in a Changing City. In MOORE, Niamh and WHELAN, Yvonne. Heritage, memory and the politics of identity: new perspectives on the cultural landscape. Aldershot: Ashgate, 2007. Page 97.
[21] D. Radovic, “Measuring the non-Measurable: On Mapping Subjectivities in Urban Research (and several themes for discussion)â€. Mapping Culture: Communities, Sites & Stories conference. Coimbra, Portugal, May 2014.
[22] D. Boontharm, “Drawing as Mapping in the Search of Urban Qualityâ€. Mapping Culture: Communities, Sites & Stories conference. Coimbra, Portugal, May 2014.
[23] (2014) Cambiando el Rumbo. Interview with Laetitia-Sauleau. [Online]. Available: http://www.cambiandoelrumbo.com/ ES/cambiando-el-rumbo/53/472/Historias-y-entrevistas-de-quien-se-ha-trasladado-a-vivir-y-trabajar-en-Menorca-Laetitia-Sauleau-Lara.aspx
[24] (2014) M. Aguiló. Materials emailed via email regarding Lithica project.
[25] E. T. Hall, The Silent Language. Garden City, U.S.A.: Doubleday & Co., 1959. Page 161.
[26] L. Tripodi, “Mapping Public Intensitiesâ€. Mapping Culture: Communities, Sites & Stories conference. Coimbra, Portugal, May 2014.
[27] (2014) M. Perloff. The Morphology of the Amorphous: Bill Viola's Videoscapes. Bill Viola quoted in the text. [Online]. Available: http://epc.buffalo.edu/authors/perloff/viola.html
[28] K. Ziarek, The Force of Art. Stanford, U.S.A.: Stanford University Press., 2004. Page 3.
[29] Ibid. Page 20.
[30] Ibid. Page 60.
[31] Ibid. Page 3.
Published
2015-10-01
How to Cite
BIAGIOLI, Monica.
Zones of Intensity Invested with Desire.
Култура/Culture, [S.l.], v. 5, n. 12, p. 7-15, oct. 2015.
ISSN 1857-7725.
Available at: <https://www.journals.cultcenter.net/index.php/culture/article/view/177>. Date accessed: 12 feb. 2026.
Section
English Articles
Keywords
cultural heritage, sense of place, non-power fragmentation, sense of identity, visual bias, presence, displacement, self-hypnosis

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