Дигитализацијата како инÑтрумент за развој на музејÑките колекции
Abstract
Тргнувајќи од размиÑлувањата за лоцирањето и контекÑтуализацијата на различните поÑтапки обединети под терминот „дигитализација“ во музејÑкото опкружување, како и од теориÑките поÑтавки Ñпоред кои големата фаза на акумулација на физички предмети на традиционален начин за музеите е минато и она што мора да биде нивен приоритет е обезбедувањето на приÑтап до колекциите и општеÑтвената кориÑÑ‚ од нив, во овој труд направен e обид дигитализацијата да Ñе поÑтави како оÑнова за една изменета практика на музеите, каде што таа ќе претÑтавува инÑтрумент за развој на музејÑките колекции во квалитативна ÑмиÑла, одноÑно оÑнова за нивно разгледување како ÑредÑтво или реÑурÑ, а не крајна цел на музејÑките инÑтитуции. Релативизирајќи го физичкиот проÑтор и поÑтоење, дигитализацијата отвора нови и неограничени можноÑти на идејниот, концептуален проÑтор и поÑтоење на музејÑките предмети и континуирано компаративно преобмиÑлување на поширокото културолошко значење на колекцијата како целина и на нејзините конÑтитутивни елементи, како од Ñтрана на музеите, така и од Ñтрана на кориÑниците на on-line Ñодржините. Оттука, ефектите од дигитализацијата на музејÑките колекции може да Ñе разгледуваат и во контекÑÑ‚ на утврдувањето на оние вредноÑни категории Ñпоред кои Ñе конÑтруира и оÑтварува културниот идентитет и културната меморија на Ñредината во која тие дејÑтвуваат.References
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[30] Mejcher-Atassi, Sonja and John Pedro Schwartz. Introduction. Archives, Museums and Collecting Practices in the Modern Arab World. Eds. Sonja Mejcher-Atassi and John Pedro Schwartz. Farnham, UK: Ashgate Publishing Limited, 2012. 1-30.
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[32] Pettersson, Susanna. “Collections Mobility – Stepping Forward.†Encouraging Collections Mobility – A Way Forward for Museums in Europe. Eds. Susanna Pettersson, Monika Hagedorn-Saupe, Teijamari Jyrkkiö and Astrid Weij. Helsinki: Finnish National Gallery, 2010. 152-160.
[33] Prown, Jules David. “The Truth of Material Culture: History or Fiction?.†History from Things: Essays on Material Culture. Eds. Steven Lubar and W. David Kingery. Washington, DC: The Smithsonian Institution, 1993. 1-19.
[34] Simon, Nina. The Participatory Museum. Santa Cruz, CA: Museum 2.0, 2010.
[35] Spenser, Hugh A. D. “Supercharging the Cultural Engine: Advanced Media at Heritage and Educational Attractions.†Digital Illusion: Entertaining the Future with High Technology. Ed. Clark Dodsworth Jr. New York: ACM Press/Addison-Wesley Publishing Co., 1998. 489-500.
[36] Stam, Deirdre C. “Public Access to Museum Information: Pressures and Policies.†Curator 32 (3) (1989): 190-198.
[37] Van Mensch, Peter and Léontine Meijer-van Mensch. New Trends in Museology. Celje: Muzej novejše zgodovine, 2011.
[38] Wallace, Amanda. “Collections Management and Inclusion.†Including Museums – Perspectives on Museums, Galleries and Social Inclusion. Eds. Jocelyn Dodd and Richard Sandell. Leicester: University of Leicester, Research Centre for Museums and Galleries, Department for Museum Studies, 2001. 80-83.
[39] Washburn, Wilcomb E. “Collecting Information, Not Objects.†Museum News 62 (1984): 5-15.
[40] Wilkinson, Helen. Collections for the Future (Report of a Museums Association Inquiry). London: Museums Association, 2005.
[41] Witcomb, Andrea. “The Materiality of Virtual Technologies: A New Approach to Thinking about the Impact of Multimedia in Museums.†Theorizing Digital Cultural Heritage: A Critical Discourse. Eds. Fiona Cameron and Sarah Kenderdine. Cambridge, MA; London, UK: The MIT Press, 2007. 35-48.
[2] Black, Graham. “Museums, Memory and History.†Cultural and Social History 8 (3) (2011): 415-427.
[3] Cameron, Fiona. “Beyond the Cult of the Replicant: Museums and Historical Digital Objects – Traditional Concerns, New Discourses.†Theorizing Digital Cultural Heritage – A Critical Discourse. Eds. Fiona Cameron and Sarah Kenderdine. Cambridge, MРand London, UK: MIT Press, 2007. 49-75.
[4] Cameron, Fiona and Helena Robinson. “Digital Knowledgescapes: Cultural, Theoretical, Practical, and Usage Issues Facing Museum Collection Databases in a Digital Epoch.†Theorizing Digital Cultural Heritage – A Critical Discourse. Eds. Fiona Cameron and Sarah Kenderdine. Cambridge, MРand London, UK: MIT Press, 2007. 165-191.
[5] Catalani, Anna. “Teling ’Another‘ Story: Western Museums and the Creation of Non-western Identities.†Encouraging Collections Mobility – A Way Forward for Museums in Europe. Eds. Susanna Pettersson, Monika Hagedorn-Saupe, Teijamari Jyrkkiö and Astrid Weij. Helsinki: Finnish National Gallery, 2010. 236-245.
[6] Cooke, Pat. “Things and Technology: Museums as Hybrid Institutions of the 21 st Century.†Papers from International Workshop: Re-Thinking Technology in Museums: Towards a New Understanding of People’s Experience in Museums, Limerick, Ireland, 29-30 June 2005. University of Limerick: Department of Computer Science and Information Systems. (Online). Available: http://www.idc.ul.ie/ museumworkshop/Papers/Cookefull.pdf.
[7] Council on Library and Information Resources. Building and Sustaining Digital Collections: Models for Libraries and Museums. Washington, DC, 2001. (Online). Available: http://www.clir.org.
[8] Crane, Susan A. Introduction. Museums and Memory. Ed. Susan A. Crane. Stanford, CA: Stanford University Press, 2000. 1-16.
[9] Crane, Susan A. “Memory, Distortion, and History in the Museum.†History and Theory 36 (4) (1997): 44-63.
[10] Delany, Paul and George P. Landow. “Hypertext, Hypermedia and Literary Studies: the State of Art.†Hypermedia and Literary Studies. Eds. Paul Delany and George P. Landow. Cambridge, MA: The MIT Press, 1994. 3-51.
[11] Deloš, Bernar. Virtuelni muzej: ka etici novih slika. Prev. Vera Pavlović. Beograd: Clio, Narodni Muzej, 2006.
[12] Ernst, Wolfgang. “Archi(ve)textures of Мuseology.†Museums and Memory. Ed. Susan A. Crane. Stanford, CA: Stanford University Press, 2000. 17-34.
[13] European Commission: Directorate-general for the Information Society. The DigiCULT Report: Technological Landscapes for Tomorrow’s Cultural Economy – Unlocking the Value of Cultural Heritage. January 2002. (Online). Available: ftp://ftp.cordis. europa.eu/ pub/ ist/docs/ digicult/full_report.pdf.
[14] Evens, Tom and Laurence Hauttekeete. “Challenges of Digital Preservation for Cultural Heritage Institutions.†Journal of Librarianship and Information Science 43 (3) (2011): 157-165.
[15] Fahy, Anne. Introduction. Collections Management. Ed. Anne Fahy. London, New York: Routledge, 1995. 1-7.
[16] Forty, Adrian. Introduction. The Art of Forgetting. Eds. Adrian Forty and Susanne Küchler. Oxford: Berg, 1999. 1-18.
[17] Gable, Eric and Richard Handler. “Forget Culture, Remember Memory?.†Museums and Memory. Ed. Margaret Williamson Huber. Knoxville, TN: Newfound Press, University of Tennessee Libraries, 2011. 23-44.
[18] Gavrilović, Ljiljana. “Muzeologija u vakuumu.†Етноантрополошки проблеми н.Ñ. 1 (1) (2006): 45-58.
[19] Gavrilović, Ljliljana. “Cyber Museum: Tools for Heritage Protection.†Proceedings of the Regional Conference ICOM SEE: Condition of the Cultural and Natural Heritage in the Balkan Region, Vol. 1, Kladovo, Serbia, 23-27 October 2006. Ed. Mila Popović-ŽivanÄević. Belgrade: National Museum, 2007. 147-151.
[20] Genette, Gérard. The Work of Art: Immanence and Transcendence. Trans. G. M. Goshgarian. Ithaca, NY: Cornell University Press, 1997.
[21] Henning, Michelle. Museums, Media and Cultural Theory. Berkshire, UK: Open University Press, 2006.
[22] Hooper-Greenhill, Eilean. Museums and the Interpretation of Visual Culture. London and New York: Routledge, 2000.
[23] Илиева ÐиколовÑка, Ðнита. “Документација музејÑких колекција – Ñавремени приÑтупи.†Читалиште 22 (2013): 34-45.
[24] Kalay, Yehuda E. Introduction. New Heritage: New Media and Cultural Heritage. Eds. Yehuda E. Kalay, Thomas Kvan and Janice Affleck. London and New York: Routledge, 2008. 1-10.
[25] Keene, Suzanne. Fragments of the World – Uses of Museum Collections. Oxford, UK: Elsevier Butterworth-Heinemann, 2005.
[26] Knell, Simon J. “The Shape of Things to Come: Museums in the Technological Landscape.†Мuseum and Society 1 (3) (2003): 132-146.
[27] Lee, Christopher A. “Taking Context Seriously: A Framework for Contextual Information in Digital Collections.†UNC SILS Technical Report 2007-04. University of North Carolina: School of Information and Library Science, 18 October 2007. 1-37. (Online). Available: http://sils.unc.edu/sites/default/files/general/research/TR_2007_04.pdf.
[28] Malpas, Jeff. “Cultural Heritage in the Age of New Media.†New Heritage: New Media and Cultural Heritage. Eds. Yehuda E. Kalay, Thomas Kvan and Janice Affleck. London and New York: Routledge, 2008. 13-26.
[29] Manovich, Lev. The Language of New Media. Cambridge, MA: The MIT Press, 2001.
[30] Mejcher-Atassi, Sonja and John Pedro Schwartz. Introduction. Archives, Museums and Collecting Practices in the Modern Arab World. Eds. Sonja Mejcher-Atassi and John Pedro Schwartz. Farnham, UK: Ashgate Publishing Limited, 2012. 1-30.
[31] Nora, Pierre. “Between Memory and History: Les Lieux de Mémoire.†Representations 26 (1989): 7-24.
[32] Pettersson, Susanna. “Collections Mobility – Stepping Forward.†Encouraging Collections Mobility – A Way Forward for Museums in Europe. Eds. Susanna Pettersson, Monika Hagedorn-Saupe, Teijamari Jyrkkiö and Astrid Weij. Helsinki: Finnish National Gallery, 2010. 152-160.
[33] Prown, Jules David. “The Truth of Material Culture: History or Fiction?.†History from Things: Essays on Material Culture. Eds. Steven Lubar and W. David Kingery. Washington, DC: The Smithsonian Institution, 1993. 1-19.
[34] Simon, Nina. The Participatory Museum. Santa Cruz, CA: Museum 2.0, 2010.
[35] Spenser, Hugh A. D. “Supercharging the Cultural Engine: Advanced Media at Heritage and Educational Attractions.†Digital Illusion: Entertaining the Future with High Technology. Ed. Clark Dodsworth Jr. New York: ACM Press/Addison-Wesley Publishing Co., 1998. 489-500.
[36] Stam, Deirdre C. “Public Access to Museum Information: Pressures and Policies.†Curator 32 (3) (1989): 190-198.
[37] Van Mensch, Peter and Léontine Meijer-van Mensch. New Trends in Museology. Celje: Muzej novejše zgodovine, 2011.
[38] Wallace, Amanda. “Collections Management and Inclusion.†Including Museums – Perspectives on Museums, Galleries and Social Inclusion. Eds. Jocelyn Dodd and Richard Sandell. Leicester: University of Leicester, Research Centre for Museums and Galleries, Department for Museum Studies, 2001. 80-83.
[39] Washburn, Wilcomb E. “Collecting Information, Not Objects.†Museum News 62 (1984): 5-15.
[40] Wilkinson, Helen. Collections for the Future (Report of a Museums Association Inquiry). London: Museums Association, 2005.
[41] Witcomb, Andrea. “The Materiality of Virtual Technologies: A New Approach to Thinking about the Impact of Multimedia in Museums.†Theorizing Digital Cultural Heritage: A Critical Discourse. Eds. Fiona Cameron and Sarah Kenderdine. Cambridge, MA; London, UK: The MIT Press, 2007. 35-48.
How to Cite
ИлиÐΜва ÐиколовÑка, Ðнита.
Дигитализацијата како инÑтрумент за развој на музејÑките колекции.
Култура/Culture, [S.l.], n. 6, p. 145-158, nov. 2014.
ISSN 1857-7725.
Available at: <https://www.journals.cultcenter.net/index.php/culture/article/view/56>. Date accessed: 04 apr. 2026.
Section
Macedonian Articles
Keywords
дигитализација, музејÑка колекција, виртуелна реалноÑÑ‚, кориÑник, културна меморија
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